Showing posts with label social entrepreneurship. Show all posts
Showing posts with label social entrepreneurship. Show all posts

Friday, September 13, 2013

Beyond cutesy jewelry and Social Enterprise: Building off of Etsy’s creative economy


Many social enterprises aim to sell “marketable” items using labor from economically disadvantaged demographics. However, the crux of many of these business is that the so-called  “bottom of the pyramid” worker is depending on the Western consumer to accept services and goods from them so that they can have a livelihood.

The truth of the marketplace is that no one needs to buy 48 dollar baskets just because it’s going to help poor women. It is a noble idea indeed but I myself began to question this social enterprise practice of “buy for pity”. Tal Dehtiar of Oliberte Footwear became very hyper-sensitive to this trend when he first headed up a footwear line sourced and produced in Africa:

When we first started, I didn’t want to do the Africa angle,” he says, a seemingly strange statement about a company that markets the continent in its tagline. “Our first ad was very stereotypical Africa. It was a picture of an African face—a Maasi warrior. I hated it.” He stopped using the ad the following year. “We’ve gone from portraying a very stereotypical image of Africa to now selling pride instead of pity. But it’s a challenge, because some stores want the stereotypical Africa branding.
The balance,” says Dehtiar, “is how do I do the Africa angle without doing the part I hate: ‘Buy because you feel bad about Africa.

Dehtiar admits that he is still developing his business model but what may set him apart from the seemingly do-gooder social entrepreneur is that because he is not relying on simple marketing tropes he has the incentive to innovate. “When it comes to footwear,” Dehtiar says, “we don’t want people to think of Africa as the next China. We want them to think of it as the next Italy—think quality.” Perhaps Dehtiar is making the first step in acknowledging what really appeals to the “Western consumer”.

Patrick Hanlon writes in Forbes article Consumerism: From Mass To Micro-Consumer: “Just as China leaps forward to develop their 1.3 billion population into the largest mass consumer market in the world, paradoxically the USA lurches toward its next evolution of capitalist chic: micro-consumerism.”

Is the key to unlocking this rising micro-consumerism in the form of buzzwords such as  “mass customization” and “customer co-creation”? Stateside enterprises such as Etsy have already succeeded in developing these kinds of models for consumer value creation. Thousands of merchants are able to design, develop and sell their products to the specifications of their customers in bundles or in a single product. In order for social enterprises to be treated as more than another "do good invention" with niche marketing strategies, we must surrender to the fact that brands such as Oliberte are emerging market/developing country brands and they must fight for respect in the marketplace. This can be done also through innovative value creation.

Jack Hughes of Harvard Business Review writes about “What Value Creation Will Look Like in the Future”:

“Value creation in the future will be based on economies of creativity: mass customization and the high value of bringing a new product or service improvement to market; the ability to find a solution to a vexing customer problem; or, the way a new product or service is sold and delivered.”

We can provide jobs for economically disadvantaged women in Kenya or Ecuador. That’s great! But are we finding innovative ways to source materials? Why are you only selling/marketing your bracelets to people OUTSIDE of the country you are doing business in? Are there not potential business partners in the cities of Nairobi and Quito who would be willing to buy some aspect of your product and have you as a supplier?

“Social enterprise” is still a emerging field and only time will tell which directions it will go in but I believe we must err on the side of caution to prevent from it becoming another form of charity.

Wednesday, August 7, 2013

Understanding the emerging (African) market consumer --- Never NOT acknowledging the informal market


Vahid Monadjem of new company Nomanini, has developed a product that dispenses prepaid airtime (instead of the scratch card) which he believes will adequately build upon/revolutionize how the informal market does business. Given the increasing interest in ICT for Development, there is seeming disregard for how these emerging market or BoP populations actually use technology. Monadjem, having done research as a Mckinsey & Company’s global fellow for emerging market product development, explains his hypothesis for the real origins of Africa's "mobile revolution"
I think the scratch card has really opened up the possibility to serve deeper and deeper into underserved markets… I don’t think the mobile revolution in Africa would have happened without the scratch card… That was the best method available and that was kind of the benchmark we were trying to improve against.
Nomanini helps traders print airtime simply from different retailers
It's been purported that about 70 percent of the "bottom billion" live in Africa , most notably by Dr. Paul Collier of Oxford. Yet, the informal economy accounts for 80 percent of new jobs across the continent and is a major contributor to wealth. So who are we making products for and what do entrepreneurs have in mind when they make products for these people? It seems Mr. Monadjem has given the world real insight into the "bottom billion" with his Nomanini product. Even the word Nomanini--which means "anytime" in Zulu--is testament to the idea that the bottom billion may be much more variable than the "living on $2 a day" characteristic.

Thursday, February 14, 2013

Unlimited & Unleashed: Visualizing the gaps in African movements...and my own career

Comparing Africa to the United States is like "comparing a 300-year-old man with a 50-year-old child".  A highly fragmented and ever evolving child at that.

During the opening address of the 2012 Africa Gathering DC conference (which I had the pleasure of attending), Her Excellency Tebelelo Seretse, Ambassador of Botswana made it a point to demonstrate that the constant "contradiction" of glossing over every African nation as an entire conglomerate country rife with war, famine and poverty hurts the advancement of the region. It also hinders nuanced perceptions of African stories/history as well as ignores the goal of creating customized development solutions.



Africa Gathering DC was a series of break-out sessions and discussions driven by critical thinking. Ambassador Seretse, herself used the case of her own Botswana's history with democracy. "Botswana is the only country in Africa that has stayed democratic since Independence". This "kgotla" system is made-up of community-based traditional democratic councils. As a result of this system, Botswana even has a Global Peace Index higher than the United States. I wonder how many people know that!

Just a snapshot of issues covered at the gathering:
  • Who really benefits from the arising "Tech Boom"?
  • Can we move production through technology?
  • "Pitching Traditional African Media is particularly important".
  • "Men need to engage other men [in health and wellness of women]".
  • What rifts do the African Neo-Diaspora (most recent immigrants) have with countrymen back home?

Underneath all of these ideas and well-founded concerns, there lies a quite penetrating issue that seemed to gather. This issue could shape the future socio-economic development of the African region if it is to take advantage of its' steady growth. And that is the organizational development of inclusive, innovative African-grown organizations and social innovation movements. Upon my own research, it seems that the concept of organizational development can take quite fluid definitions:


“Organization Development is the attempt to influence the members of an organization to expand their candidness with each other about their views of the organization and their experience in it, and to take greater responsibility for their own actions as organization members. The assumption behind OD is that when people pursue both of these objectives simultaneously, they are likely to discover new ways of working together..."-- Neilsen, “Becoming an OD Practitioner”, Englewood Cliffs, CA: Prentice-Hall, 1984, pp. 2-3.
"Organization Development is a body of knowledge and practice that enhances organizational performance and individual development, viewing the organization as a complex system of systems that exist within a larger system, each of which has its own attributes and degrees of alignment. OD interventions in these systems are inclusive methodologies and approaches..." -- Matt Minahan, MM & Associates, Silver Spring, Maryland

Photo from Angola “Woman carrying books”
An attempt to put it simply: organizational development could be described as the "management of change". This practice may seem quite naive and less-than-pragmatic for an entire region but at its' core it is really precisely what I overhear most people emphasize regarding African-based organizations, especially African governments. However, in recent years the focus has shifted away from government but instead to African-led movements in the larger community. With all of these ideas generating and springing up, in what ways can they be efficiently integrated for the benefit of bridging gaps between societies of people? I think this is where access to information and knowledge can play a role. A simple library book challenged a boy by the name of William Kamkwamba of Malawi to build a windmill in his backyard despite having limited English language skills or engineering training. Of course these stories are treated as exceptions to the rule like here but are they really all that surprising in the developing world? I have recently thought about the possibility of constant streams of “transformative” information that can lead to stable, progressive change. Furthermore, the role that information access has on the fostering of entrepreneurship is quite penetrating. Looking from a the angle of information and communications technology alone: "the benefits range from giving small businesses the ability to access new markets, obtain knowledge and skills they need adopt more efficient cultivation of crops and increase their competitiveness by offering better goods and services" (Sajda Qureshi, As the global digital divide narrows, who is being left behind?). Moreover, as the title of Qureshi's article suggests, those who are left behind can also benefit from being connected. It is therefore imperative that the innovative thought processes coming out of the hubs and incubators of urban Africa are reaching those who can benefit the most because widespread entrepreneurial activity depends on the intersection of technologies and culture in its' surrounding environment.

Personally, I hope to become a "curator" of such information which I believe can give the poorest and most underserved the freedom to express themselves SUCCESSFULLY (so that can provide for their communities) and without fear. Whether that information is big data or vibrant visuals: KNOWLEDGE is power.

-N. R. M

Saturday, September 8, 2012

The Tech Hub : An African-Driven Innovation?


For about half of the year, I read nothing but the word "Tech Hub" or "Tech Lab".

Adam Jackson of TechCrunch recently wrote an article entitled "If Start-ups can be built in Ghana, Africa They can be built in Cleveland, Ohio". The title, while offering congratulation to the MEST Incubator center in Ghana, in the same token seems slightly demeaning to African accomplishment. As one commenter put it:

I feel like people should stop downplaying Africa, like it isn't a multifaceted continent, with people of different backgrounds and capabilities. The Moors of Egypt had one of the most fascinating civilizations prior to being conquered (which took hundreds of years to do). There are villagers to billionaires in Africa, so stop with the "if Ghana can do it, then people in Cleveland can." Of course they can! That is what is so fascinating about the web and mobile market. No one is limited by location anymore.


And I completely agree.

That aside, the article points out a growing facet of the African/emerging markets growth story. And it involves technology. The African mobile landscape has proved a viable investment for developing business start-ups. I think the slight advantage that emerging markets have over its' more developed counterparts is that they possibly have the benefit of developing (albeit from behind) in a more efficient and socially beneficially manner.
FULL GRAPHIC HERE

Where the government has failed its' African citizens, the rapid advancement of Web 2.0 puts the power in the hands of a younger generation. Whether it is testing out cards for transportation or creating whole transformational platforms like Ms. Juliana Rotich of Ushahidi has done for Kenya and abroad.

oAfrica has an effective breakdown of The World Bank report, "Information and Communications for Development 2012: Maximizing Mobile" HERE, which outlines the future of mobile and it's role in emerging
markets.


There is a void in the market to fill here and hopefully it can be properly scaled and replicated for the benefit of many citizens.




Monday, August 6, 2012

HODGE PODGE AUGUST: A collection of ideas and sources

Yes... I am quite ashamed of myself for not keeping up with this darling but schoolwork (a.k.a my life) caught up with me quite drastically. But that hasn't stopped my brain from raking up with ideas and personal projects. I'm going to try to put together a culmination post  including all of  the inspirational obsessions that I have come across these past two months including my own take on certain issues as well. Well let's get started:



In my previous post, I expressed the need for viable artist/artisan collections centres in Africa. This is a need that has been addressed on many levels throughout the region. Of course, textiles are also apart of this. I remember one evening I was watching a CNBC documentary on J. Crew and its' turnaround as a company. There was a particular scene, where CEO Mickey Drexler goes to Italy to pick out fabrics at one of Milan's textile warehouses.  There were fabrics/textiles swatches dating back to as far as the 1700s held in a large collections of books. This to me signifies in part the reason why European/American fashion is so penetrating in our everyday lives. There is a sustained heritage. It's not so much about Gucci as it is about Italian leather. It's not so much about Chanel as it is about French silk. Not so much about Levi's as it about American denim or the white cotton tee. 

Africa in terms of economics, has always been able to produce its' own goods and in terms of fashion it can offer something other than a trend. SUNO, founded by Max Osterweis  is a micro-scale example of what can happen when African fashion focuses on developing and collecting local textiles/techniques to produce unique luxury brands through the use of vintage Kenyan kangas. Most importantly, developing African-made textiles is necessary to establishing African design as an innovative force to reckoned with. Online consultancies such as AfricanFashionGuide and Source4Style are at the forefront of this growing industry. Picture sources (from left to right): 1,2,3






Sources (L to R): 1,2,3
Two months ago, I read an article in WIRED UK, on the rising influence of pop star Lady Gaga's manager Troy Carter. After years of working the music business, Carter along with the help of several key Silicon Valley developers formulated a social media model called Backplane based on online fanbase communities. The first Backplane-powered site was that of Littlemonsters.com (for Lady Gaga). The site requires a login similar to GILT GROUPE and is set to provide Miss Gaga with a platform to pass on important information. I began thinking immediately of how a Backplane-powered site could be used to connect farmers/collectives in "FAIRTRADE" countries to suppliers everywhere. There are times when I think that FAIRTRADE has become a marketing route for selling products to the "hipsters and tree-huggers" (as the conservative base would call them) of the developed nations. Who says that consumers in emerging markets don't want to buy fairtrade--or organic--too? Or that a small-scale farmer in Ecuador can't competitively bargain with a grocery owner in Botswana and vice versa? Perhaps a social media outlet such as a Backplane-powered site can help to expand the power of fairtrade among small commerce. While trading sites such as the Chinese Alibaba already provide hubs for business-to-business transactions, whether or not subscribers are certified FAIRTRADE isn't immediately verifiable. Not to mention, an online community could provide farmers with a to trade equipment and tips as well as enhance the usage of mobile banking.





Being that developing a social-value based high end brand is one of those things I have sketched in my composition book of dreams, I found this list to be quite informative. Here are some bits and pieces that I found interesting:















There were definitely other innovative things that caught my eye these past two months, that I can't quite think of at the moment but I will be sure to cover those in subsequent posts (hopefully without such a long period of absence this time!)

By the way be sure to follow me: TUMBLR | TWITTER

Tuesday, June 5, 2012

The mobile synergy of the African creative industries

The African entertainment and arts scene could quite possibly be one of the only industries on the continent that has seen steady upward growth across Africa for decades. Currently for example, Nigerian's film industry is reportedly valued at around N522 billion (1.75 billion US dollars). For the past decade, there has been an intense use of online media such as YouTube and Tumblr to promote culture of Africa and its' diaspora (see: idamawatu channel which has garnered almost 300 million views). This has greatly enhanced collaboration among artists and finally given platform for contemporary creatives/artisans. However, there is dire lack of organized structure for collecting the works done my various artists. There is a high-valued market for African art and establishing channels on YouTube and Tumblr as a source is just the first step. As described in a brief piece on aoAfrica, many mobile networks in Africa are in a varying state of simultaneously transitioning between "e-commerce" (online storefronts and mobile money) and "social media". African creative industries can take the first step in using technology to take these current stages a step further and develop rich media content (think: Apps, Spotify, Pandora, online magazines).

However, if organizations such as the African Union put emphasis on structuring creative industries around central physical "collectives" that can translate works of artists/artisans to rich online media content, these communities can act as curators as well as business mediators between artists and more commercial entities. Artists can receive royalty payments easier As described in a workshop paper sponsored by The World Bank on the African music industry, almost no African music market has a piracy level less than 25%. This uncertain business environment drives musicians to great lengths in order to stretch profit.
...because artists have no expectation of receiving any royalties from record sales –because of piracy and the inadequate collections of royalties -- they expect a bigger single up-front payment. This one-off payment system creates problems for international companies. They have the expectation of a lower initial advance, and then, of course, the expectation to pay the royalties. Thus, they expect the artist to work together with them to sell the album. However, for an artist who is just getting a one-off payment, the only way to make money is by recording the absolute maximum number of albums and doing as many of these deals as possible.  
The authors conclude that there is indeed a need for collection hubs for artists/artisans. These physical collectives could be based on region as shown below:
Building structure and collaboration through art.
Original map: ECOworld

  • West African Collective (ORANGE)
  • Central African Collective *incl. South Sudan (BLUE)
  • South (PURPLE)
  • East (GOLD)
  • North (GREEN)
They could also be based on language---main centers being Francophone, Anglophone, Lusophone--- however, these long established borders of lingua franca have long caused division within various African entertainment scenes.

Once strong communities of artists and artisans and can be established, this can then make it more effective for mobile-based tech applications. For instance, you take a fairly new media app such as Spinlet, which is designed to enhance legal music downloads for African artists, it can easily expand it's markets through the facilitation of collectives. I'm also under the impression that high-quality streaming services similar to Pandora and Spotify would sit well with many African consumers. African Film Library is another extraordinary service that could benefit from the on-the-ground stimulation of local/regional artist collection societies.

I think what is most beneficial regarding African collectives in the arts is the green lighting of more efficient and respectable collaboration. Collaboration transcends language, ethnic group and political views. Artists/artisans create intersectional dialogue in a way that other fields cannot. Imagine: stimulating local economies to create sustainable, cultural African fabrics that is not just subject to the seasonal "pattern" trend. Real textile? Advertised throughout online galleries and sold for commercial export?

One can dream no?

PS: To learn more about Spinlet check out this interview with Chairman Eric Idiah on Ventures Africa.

Thursday, May 24, 2012

Technology-based start-ups in the Democratic Republic of Congo


Can impact investing and social entrepreneurship turn natural resource "curses" into blessings?

The central African nation of the Democratic Republic of Congo, a nation about 2.34 million sq km in area, is arguably one of the most resource abundant in natural resources. From minerals, to potential hydro-power and even uranium Congo is a geographical hotbed of natural resource extraction. Cobalt, diamonds, gold and copper ores can all be in various regions within the DRC (the eastern border and southeastern-and western provinces). Yet, this country with a population of about 67 million, has been deemed one of the "world's worst" in just about every human development category. A decade-long civil war centered in the Eastern Congo has left more than  6 million civilians dead, mostly due to regional militias who profit from the looting of the aforementioned minerals. Despite the many complex, historical internal and external factors at the root of this dismal situation, the fact remains that the institutions in place are continued enablers to a rampant addiction of corruption and inefficiency that has effectively taken a toll on the economic state of this vast nation .

Small business appears to be the only viable current solution to this issue: building self-sufficiency from the ground up. Simply boycotting raw materials takes away from whatever small day-to-day revenue that local artisanal mining operations provides for livelihoods.  How can Congolese citizens possibly utilize the abundant resources of their environment to create communities of sustainable business and growth? Most “green” technologies (technologies used in alternative energy uses, for example) utilize some of the same minerals found in the DRC. The DRC supplies about two-thirds of the world’s cobalt. Cobalt has been outlined by the US Department of Energy as a critical metal in clean energy production. Cobalt also sustains uses in the production of glass and porcelain. Copper is also a growing essential element in HVAC systems. The mineral can be found in Congo’s Copper Belt (Between the cities of Lumbumbashi and Kolwezi in the southeast) as well as various other regions. However, considering the volatile nature of commodities pricing many investors have a habit of starting up and then fleeing projects, which creates an unsustainable business environment for both larger and smaller mining operations. Is it possible then, that local miners with access to minerals/scrap minerals that are the basic building blocks to modern technology could also actually produce products essential to it’s own countries growth? Could invested-in technology expedite the growth of regional agricultural sectors? The fact, that this is some sort of novel idea is a testament to the perceived logistical supply chain challenges of producing goods and exporting goods within the African continent.

Research and development is the fundamental basis for innovation. However, research and development cannot be sustained without investment. Particularly in the Democratic Republic of Congo, where for example, the abundance of copper can serve as a base for copper wiring distribution. The opportunity for research is there. Just as a food for thought example, impact invested research on the sustainable uses of such materials as copper for the purpose of agriculture--vertical farms/greenhouses---can

Copper-based rainwater capture system in South Africa
(source: David Bello)
eventually stimulate local economies in the DRC to actually manufacture viable local products from raw materials. While general infrastructure poses a challenge to engaging technological research on the continent, it is not far-fetched. Many Africans, despite any hindrance in living conditions have been exposed to widespread telecommunications outlets. A total of about sixty-five percent of people in Sub-Saharan Africa have access to mobile phones, most with Internet access. This solid telecommunications base can lead to even more technology-based business start-ups and research projects. Moreover, “modern” forms of currencies such as Bit.coin and the “M-Banking” financial organizations have penetrated African markets since the early 2000s. M-PESA based in Kenya, a service originally set-up for microfinance borrowers, has gathered a total of 14 million subscribers engaged in daily monetary transactions from mobile to person. This too, has the ability to hone socially impactful investments in the direction of innovative research organizations and entrepreneurs based in the continent. Local/regional community organizing can strengthen entrepreneurial efforts by involving the surrounding community in fundraising efforts.




This 2011 Google ad---in all of its' marketing glory---shown above is a shining example of what happens when mobile knowledge stimulates budding entrepreneurs, regardless of circumstance.


Did I mention that copper is very recyclable? Sounds like donating pennies could be a great start for a bunch of entrepreneurship projects in Africa! Too much? Well, anyway!